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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Friday, December 27, 2019

Annunciation to the Shepherds / Adoration of the Shepherds in Religious Art

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)



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Annunciation to the Shepherds - Nicolaes Pietersz Berchem (1620 - 1683)



Luke 2: 8 -14 

Now there were shepherds in the region living in the fields and keeping the night watch over their flock.  The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear.


Annunciation to the Shepherds - Abraham Bloemaert (1566 - 1651)


The angel said to them, "do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people.  For today in the city of David a savior has been born to you who is Messiah and Lord. 


The Adoration of the Shepherds - Hugo van der Goes (c 1430/1440 - 1482)



And this will be a sign for you:  you will find an infant wrapped in swaddling clothes and lying in a manger."  And suddenly there was a multitude of the heavenly host with the angel, praising God and saying:  "Glory to God in the highest, and on earth peace to those on whom his favor rests."     


Adoration of the Shepherds - El Greco (1541 - 1614)
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Picture Source - Public Domain


The Role of Religious Art in Faith Formation - Month of December 2019 Index




Tuesday, December 24, 2019

The Birth of Christ - Sandro Botticelli (c. 11445 - 1510)

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)



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The Birth of Christ - Sandro Botticelli (1500)


Known as the Mystical Nativity, this portrays Mary, the ox and the donkey watching over Jesus while Joseph is sleeping.  The three men in long gowns kneeling to the left of the stable are the Maji.  The shepherds are kneeling to the right. The angels carry olive branches symbolizing peace and the heavens are opened up to the stable below.  In the corners demons can be seen running from the scene.  



Luke 2: 6 - 7 


While they were there, the time came for her to have her child, and she gave birth to her firstborn son.  She wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the inn. 

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Picture Source - Public Domain

The Role of Religious Art in Faith Formation - Month of December 2019 Index


For church supplies and  gift items
related to the Catholic Church

please visit Lynn's Timeless Treasures 

Monday, December 23, 2019

The Nativity in Art (Andrea Sabatini / Rogier van der Weyden / Lorenzo Lotto / Geertgen tot Sint Jans)

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)




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The Nativity - Andrea Sabbatini 


The Nativity (part of the Bladelin Altarpiece) - Rogier van der Weyden

The Nativity - Lorenzo Lotto 

Nativity by Night - Geertgen tot Sint Jans 


Luke 2: 6 - 7 



While they were there, the time came for her to have her child, and she gave birth to her firstborn son.  She wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the inn. 


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Picture Source - Public Domain

The Role of Religious Art in Faith Formation - Month of December 2019 Index


For church supplies and  gift items
related to the Catholic Church

please visit Lynn's Timeless Treasures 

Wednesday, December 18, 2019

Mary and Joseph Journey to Bethlehem in Religious Art

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)



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Mary and Joseph on the way to Bethlehem - Hugo Van der Goes (1430/1440 - 1482)


Journey to Bethlehem - c. 1320  mosaic Istanbul, Turkey


Mary and Joseph made this 80 mile journey to Bethlehem when Mary was near her time to give birth. There were no paved roads, no rest stops, they did not have advanced reservations for accommodations and they traveled by donkey. Just something to reflect on while reading the Gospel passage below which is depicted in the artwork above.   

Luke 2: 1-4 


In those days a decree went out from Caesar Augustus that the whole world should be enrolled.  This was the first enrollment, when Quirinius was governor of Syria.  So all went to be enrolled, each to his own town.   And Joseph too went up from Galilee from the town of Nazareth to Judea, to the city of David that is called Bethlehem, because he was of the house and family of David, to be enrolled with Mary, his betrothed, who was with child. 



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Picture Source - Public Domain

The Role of Religious Art in Faith Formation - Month of December 2019 Index



For church supplies and  gift items
related to the Catholic Church

please visit Lynn's Timeless Treasures 

Tuesday, December 17, 2019

Dream of Saint Joseph in Religious Art - Rembrandt, Giotto and Philippe de Champaigne

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)




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Dream of Saint Joseph - Philippe de Champaigne (1602-1674)


Dream of Saint Joseph - Rembrandt (1606-1669)

There are three dreams of Saint Joseph mentioned in scripture.  They are from the first and second chapter of Matthew.  The first painting by Philippe de Champaigne may be from Matthew 1:20-24 as it appears Jesus has not been born yet.  The second by Rembrandt is probably a reference to Matthew 2:13 -14 where Joseph is warned to leave Bethlehem for Egypt.  

Matthew 1:20-24

Behold, the angel of the Lord appeared to him in a dream and said, “Joseph, son of David, do not be afraid to take Mary your wife into your home. For it is through the Holy Spirit that this child has been conceived in her. She will bear a son and you are to name him Jesus, because he will save his people from their sins.”All this took place to fulfill what the Lord had said through the prophet:



 “Behold, the virgin shall be with child and bear a son,
and they shall name him Emmanuel,”
which means “God is with us.”

When Joseph awoke, he did as the angel of the Lord had commanded him and took his wife into his home.

Matthew 2: 13 – 14

When they had departed, behold, the angel of the Lord appeared to Joseph in a dream and said, “Rise, take the child and his mother, flee to Egypt,
and stay there until I tell you. Herod is going to search for the child to destroy him.” Joseph rose and took the child and his mother by night and departed for Egypt.

Flight to Egypt - Giotto di Bondone (1267 - 1337)


Matthew 2: 19 -21

When Herod had died, behold, the angel of the Lord appeared in a dream to Joseph in Egypt and said, “Rise, take the child and his mother and go to the land of Israel, for those who sought the child’s life are dead.”  He rose, took the child and his mother, and went to the land of Israel.


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Picture Source - Public Domain


The Role of Religious Art in Faith Formation - Month of December 2019 Index



For church supplies and  gift items 
related to the Catholic Church
please visit Lynn's Timeless Treasures 

Monday, December 16, 2019

Marriage of the Virgin Mary in Religious Art

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)
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Though the Marriage of the Virgin Mary is not mentioned in the canonical Gospels it has been portrayed in paintings by numerous artists.  


Marriage of the Virgin - Giotto di Bondone (1267 - 1337)

Marriage of the Virgin - Perugino (c.1446/1452 - 1523)

Marriage of the Virgin - Raphael (1483 - 1520)

Marriage of the Virgin - El Greco (1541 - 1614)


The Marriage of the Virgin - Jerome Martin Langlois (1779 - 1838)



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Picture Source - Public Domain
Role of Religious Art in Faith Formation - Index 



For church supplies and  gift items
related to the Catholic Church
please visit Lynn's Timeless Treasures 

Friday, December 13, 2019

Preaching of John the Baptist / Baptism of Jesus - Domenico Ghirlandaio ( 1448 -1494)

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)


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The Preaching of John the Baptist - Domenico Ghirlandaio (c. 1486)

This early renaissance fresco of The Preaching of John the Baptist by Domenico Ghirlandaio c. 1486 depicts the scene from the Gospel of Luke chapter 3 verses 1 through 18.   John is preaching to the crowds that have followed him out into the desert.  John proclaims baptism in water for the forgiveness of sins and announces that one mightier than he will come and baptize with the Holy Spirit and fire.  This fresco may be found on the wall of the church of Santa Maria Novella in Florence, Italy along with the fresco of the Baptism of Jesus. 

Luke 3: 1 - 18 

In the fifteenth year of the reign of Tiberius Caesar, when Pontius Pilate was governor of Judea and Herod was tetrarch of Galilee, and his brother Philip tetrarch of the region of Ituraea and Trachonitis, and Lysanias was tetrarch of Abilenem during the high priesthood of Annas and Caiphas, the word of God came to John the son of Zechariah in the desert. 

He went throughout the whole region of the Jordan proclaiming a baptism of repentance for the forgiveness of sins, as it is written in the book of the words of the prophet Isaiah; 

"A voice of one crying out in the desert: 

Prepare the way of the Lord, 

make straight his paths, 

Every valley shall be filled

and every mountain and hill shall be made low. 

The winding roads shall be made straight, 
and the rough ways made smooth, 
and all flesh shall see the salvation of God." 


He said to the crowds who came out to be baptized by him, "You brood of viper! Who warned you to flee from the coming wrath?  Produce good fruits as evidence of your repentance; and do not begin to say to yourselves, 'We have Abraham as our father', for I tell you, God can raise up children to Abraham from these stones.   Even now the ax lies at the root of the trees.  Therefore every tree that does not produce good fruit will be
 cut down and thrown into the fire."

And the crowds asked him, What should we do?"  He said to them in reply "Whoever has two tunics should share with the person who has none.  And whoever has food should do likewise"  Even tax collectors came to be baptized and they said to him, "Teacher, what should we do?  "He answered them, "Stop collecting more than what is prescribed."  Soldiers also asked him, "And what is it that we should do?"  He told them, "Do not practice extortion, do not falsely accuse anyone and be satisfied with your wages."  

Now the people were filled with expectation, and all were asking in their hearts whether John might be the Messiah.  John answered them all, saying, "I am baptizing you with water, but one mightier than I is coming.  I am not worthy to loosen the thongs of his sandals.  He will baptize you with the Holy Spirit and fire.  His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire."  Exhorting them in many ways, he preached good news to the people.


John Baptizes Jesus - Domenico Ghirlandaio  (Luke 3: 21 -22)
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Picture Source - Public Domain
The Role of Religious Art in Faith Formation - Month of December 2019 Index



For church supplies and  gift items
related to the Catholic Church
please visit Lynn's Timeless Treasures 

Thursday, December 12, 2019

The Visitation - Tintoretto (1518 - 1594)


“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)


The Visitation - Tintoretto 

Italian painter Tintoretto, often called ll Furioso “The Furious” because of his phenomenal energy, created this oil on canvas The Visitation around 1549.  The painting depicts the moment from Luke’s Gospel that Mary greets her cousin Elizabeth who is pregnant with John the Baptist.  At the meeting of the two women, John the Baptist leaps in his mother’s womb to which Elizabeth reacts by declaring to Mary, “Blessed art though among women, and blessed is the fruit of your womb.”  This being the first portion of the Catholic prayer the Hail Mary.  Mary then responds with her song of praise the Magnificat. 

Luke 1: 39 -45

During those days Mary set out and traveled to the hill country in haste to a town of Judah, where she entered the house of Zechariah and greeted Elizabeth.  When Elizabeth heard Mary’s greeting, the infant leaped in her womb, and Elizabeth, filled with the Holy Spirit, cried out in a loud voice and said, “Most blessed are you among women, and blessed is the fruit of your womb.  And how does this happen to me, that the mother of my Lord should come to me?  For at the moment the sound of your greeting reached my ears, the infant in my womb leaped for joy.  Blessed are you who believed that what was spoken to you by the Lord would be fulfilled.”

Luke 1: 46 – 56
Magnificat

And Mary said: “My soul proclaims the greatness of the Lord; 

my spirit rejoices in God my savior. 
For he has looked upon his handmaid’s lowliness; 
behold, from now on will all ages call me blessed.
The Mighty One has done great things for me, 
and holy is his name. 
His mercy is from age to age   
to those who fear him. 
He has shown might with his arm, 
dispersed the arrogant of mind and heart.

He has thrown down the rulers from their thrones but lifted up the lowly. 

The hungry he has filled with good things; 
the rich he has sent away empty. 
He has helped Israel his servant, 
remembering his mercy, 
according to his promise to our fathers, 
to Abraham and to his descendants forever.”

Mary remained with her about three months and then returned to her home.  



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Picture Source - Wikipedia 


For church supplies and  gift items
related to the Catholic Church
please visit Lynn's Timeless Treasures 

Our Lady of Guadalupe - December 12


“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)


"Most paintings have the artist's signature in the lower corner.  The unusual 4 1/2-century-old image of the Blessed Virgin hanging high in the modern-day Basilica of Our Lady of Guadalupe at the north end of Mexico City, in an area called the Vila de Guadalupe, has no such artist's name.  There is no evidence that any mortal being painted this picture.  On the contrary, the evidence is that no one on earth could have painted it.  As far as history can establish and science can investigate, Mary herself gave us this marvel." Rengers, Fr. Christopher.  Handbook on Guadalupe.
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A great sign appeared in the sky, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. (Revelation 12:1)


December 12
Feast of Our Lady of Guadalupe
“Am I Not Your Mother”

In 1531 on December 12 near Tepayac Hill in central Mexico the Mother of Jesus appeared to Juan Diego giving him a beautiful sign of her imprint on his tilma. Mary appeared to Juan as an Aztec princess speaking to him in his own Aztec language.

“My dear little son, I love you. I desire you to know who I am. I am the ever-virgin Mary, Mother of the true God who gives life and maintains its existence. He created all things. He is in all places. He is Lord of Heaven and Earth. I desire a church in this place where your people may experience my compassion. All those who sincerely ask my help in their work and in their sorrows will know my Mother’s Heart in this place. Here I will see their tears; I will console them and they will be at peace. So run now to Tenochtitlan and tell the Bishop all that you have seen and heard.”


Juan, immediately responded to Mary’s request. The Bishop told Juan he would consider his request. Juan returned to Our Lady disappointed that he was not able to convince the Bishop immediately. He felt that he did not have the ability because he was a poor peasant. Our Lady responded, “My little son, there are many I could send. But you are the one I have chosen.” And asked him to return to the Bishop again with her request.

This time the Bishop asked Juan for a sign from Our Lady to which Juan dutifully returned to the hill and told her of the Bishop’s request to which Our Lady responded.

“My little son, am I not your Mother? Do not fear. The Bishop shall have his sign.” Our Lady asked Juan to go to the top of the hill and cut the flowers that were grown there and bring them to her. Though the middle of winter, Juan obeyed Our Lady’s request and found beautiful Castilian roses in full bloom. Juan cut the roses and placed them in his tilma and returned to Our Lady.

"My little son, this is the sign I am sending to the Bishop. Tell him that with this sign I request his greatest efforts to complete the church I desire in this place. Show these flowers to no one else but the Bishop. You are my trusted ambassador. This time the Bishop will believe all you tell him."

Juan again went to the bishop and opened his tilma. letting the flowers fall out. But it wasn't the beautiful roses that caused the bishop to fall to his knees, it was the picture of the Blessed Virgin Mary imprinted upon his tilma, just as Juan had described her. This native tilma, a poor quality cloth that should have decayed after two decades still defies all scientific explanation almost 500 years later, as it shows no sign of decomposition and men still drop to their knees in its presence.

The Aztec people of Mesoamerica in the 1500’s were considered an advanced civilization. To this the Spanish conquistadors entered their history. If current history books and contemporary news articles are to be believed, Catholic Spain had anything but high motives in their conquest of Mexico. Revisionist historians hold that the native Americans would have been better off left alone. Regardless of Spain’s motive or of current historical opinion, the Aztec people of this time participated in cannibalism and offered human sacrifice to their voracious gods. Though no one will know how many they sacrificed; the law of the Aztec empire required a thousand sacrifices in every town with a temple, every year. I pray that most would find human sacrifice and cannibalism contrary to the natural law, written on the hearts of all men, at all times, everywhere in the world.

It is into this time that Our Lady appeared to Juan, an Aztec convert. Within six years of this apparition, six million Aztecs had converted to Catholicism. What happened that produced such an incredible and historically unprecedented conversion? As far as modern science can discern, it was Our Blessed Mother Herself who “painted” an icon on Juan Diego’s tilma.

She came to the Aztecs as one of their own. They saw her as a beautiful Lady, enveloped by the rays of the sun and standing on the moon, with stars adorning her mantle and clouds dispersing at her approach. Her hands folded in prayer acknowledging One greater than herself. This image spoke to the Aztec Indians, no longer did they have to be servants to the sun and the moon god feeding their inexhaustible appetites, Our Lady pointed then to the True God. Standing on a crescent moon, her long flowing garments held up by the arms of an angel; her eyes looking down with compassion and humility, she stood in front of the sun which glowed around her. A black tassel over her stomach signified she was pregnant. She came to the Aztec people as the God-bearer, pregnant with her Divine Son, pointing to Him who is greater, and they believed and converted.

Since the time the tilma was first impressed with a picture of the Mother of God, it has been subject to a variety of environmental hazards including smoke from fires and candles, water from floods and torrential downpours and, in 1921, a bomb exploded near the tima. Next to the tilma was an iron Crucifix, when the bomb exploded the Crucifix was twisted out of shape and bent over protecting the tilma from harm. A beautiful gesture of Our Lord Jesus as he cradled His Mother in protection as She had cradled Him as a Child.

Today Our Lady of Guadalupe still points us to Her Son, and still intercedes for us to Her Son as miracles abound.

For devotional gifts related to the Catholic Church please visit Lynn's Timeless Treasures and Gifts 
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Last picture - The Guadalupe Miracle of the twisted brass Crucifix

Wednesday, December 11, 2019

The Angel Appears to Zechariah / Birth of John the Baptist - December 10

“Christian iconography expresses in images the same Gospel message that Scripture communicates by words. Image and word illuminate each other.” (CCC 1160)


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The Angel Appears to Zechariah - Domenico Ghirlandaio (1448 - 1494) 

This early renaissance fresco of The Angel Appears to Zechariah by Domenico Ghirlandaio c. 1486 depicts the scene from the Gospel of Luke chapter 1 verses 5 through 23. There is a lot going on in this scene. The Angel Gabriel stands to the left (not right as in the Gospel) of the altar and addresses Zechariah.  Gabriel and Zechariah are in the sanctuary of the Temple, the people gathered in the foreground, though appear to be in the sanctuary are outside the sanctuary as signified by the archway to the right of the fresco.  This fresco may be found on the wall of the church of Santa Maria Novella in Florence, Italy. 
 

Luke 1: 5 - 23


In the days of Herod, King of Judea, there was a priest named Zechariah of the priestly division of Abijah; his wife was from the daughters of Aaron and her name was Elizabeth.  Both were righteous in the eyes of God, observing all the commandments and ordinances of the Lord blamelessly.  But they had no child, because Elizabeth was barren and both were advanced in years.

Once when he was serving as priest in his division’s turn before God, according to the practice of the priestly service, he was chosen by lot to enter the sanctuary of the Lord to burn incense.  Then, when the whole assembly of the people was praying outside at the hour of the incense offering, the angel of the Lord appeared to him, standing at the right of the altar of incense.

Zechariah was troubled by what he saw, and fear came upon him.  But the angel said to him, “Do not be afraid, Zechariah, because your prayer has been heard.  Your wife Elizabeth will bear you a son, and you shall name him John.  And you will have joy and gladness, and many will rejoice at his birth, for he will be great in the sight of the Lord.  He will drink neither wine nor strong drink.  He will be filled with the Holy Spirit even from his mother’s womb, and he will turn many of the children of Israel to the Lord their God.  He will go before him in the spirit and power of Elijah to turn the hearts of fathers toward children and the disobedient to the understanding of the righteous, to prepare a people fit for the Lord.

Then Zechariah said to the angel, “How shall I know this?  For I am an old man, and my wife is advanced in years.”  And the angel said to him in reply, “I am Gabriel, who stand before God.  I was sent to speak to you and to announce to you this good news.  But now you will be speechless and unable to talk until the day these things take place, because you did not believe my words, which will be fulfilled at their proper time.” 

Meanwhile the people were waiting for Zechariah and were amazed that he stayed so long in the sanctuary.  But when he came out, he was unable to speak to them, and they realized that he had seen a vision in the sanctuary.  He was gesturing to them but remained mute.  Then when his days of ministry were completed, he went home. 

Birth of John the Baptist - Jacopo Potormo (1494 - 1597) 

Painter and portrait artist Jacopo Portormo created this oil on wood of the Birth of Saint John the Baptist around 1526.  It portrays the Gospel account of Luke chapter 1 verses 57 to 66.  Here we find  parents St. Elizabeth and St. Zechariah, who appear advanced in age, surrounded by their neighbors on the day of their sons circumcision.  The neighbors assume that the name given to the child will be Zechariah after his father.  Zechariah who has been mute since he doubted the words of the Angel Gabriel asked for a tablet and wrote, "John is his name."  

Luke 1 :57 - 66

When the time arrived for Elizabeth to have her child she gave birth to a son.  Her neighbors and relatives heard that the Lord had shown his great mercy toward her, and they rejoiced with her.  When they came on the eighth day to circumcise the child, they were going to call him Zechariah after his father, but his mother said in reply, “No.  He will be called John.”  But they answered her “there is no one among your relatives who has this name.”  So they made signs asking his father what he wished him to be called.  He asked for a tablet and wrote, “John is his name, “and all were amazed.  Immediately his mouth opened, his tongue freed, and he spoke blessing God.  Then fear came upon all their neighbors, and all these matters were discussed through the hill country of Judea.  All who heard these things took then to heart, saying, “What, then, will this child be?”  For surely the hand of the Lord was with him.


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Picture Source - Public Domain
The Role of Religious Art in Faith Formation - Month of December 2019 Index



For church supplies and  gift items
related to the Catholic Church
please visit Lynn's Timeless Treasures